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KINGMAN TURQUOISE BRACELET BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$500.00
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NATIVE AMERICAN KINGMAN TURQUOISE BRACELET NAVAJO
Imagine the happiness you’ll feel each time you wear this beautiful bracelet! Eighteen vivid blue Kingman turquoise nuggets are surrounded by silver work. Great stamp work on the cut-out edges with an attractive shape and design. The entire inner circumference is about 6 3/4”, including 1 1/16” opening. Weighs 24...
$260.00
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NATIVE AMERICAN NAVAJO SLEEPING BEAUTY TURQUOISE BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$400.00
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NATIVE AMERICAN NAVAJO SPINY OYSTER BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$360.00
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE BRACELET
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$290.00
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE BRACELET BY HARRISON BITSUE
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$390.00
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE BRACELET BY MILDRED PARKHURST
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$410.00
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NATIVE AMERICAN NAVAJO TURQUOISE BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$260.00
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NAVAJO KINGMAN TURQUOISE BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$460.00
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NAVAJO SPINY OYSTER BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$400.00
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NAVAJO STERLING SILVER & TURQUOISE BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$475.00
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NAVAJO STERLING SILVER & TURQUOISE BRACELET BY KEVIN BILLAH
Navajo silversmith Kevin Billah made this outstanding bracelet out of sterling silver and Turquoise. The entire inner circumference is about 6 1/2”, including 1 1/8” opening. (Fits a 6 1/2″ wrist) Weighs 42 grams. Signed. 1 7/16″ wide Artist card included The Navajos began working with silver in the...
$340.00
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NAVAJO STERLING SILVER & TURQUOISE DRAGONFLY BRACELET BY KELSEY JIMMIE
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$990.00
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NAVAJO STERLING SILVER & TURQUOISE ZIA SYMBOL BRACELET BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$270.00
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ROYSTON TURQUOISE BRACELET BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$700.00
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SPINY OYSTER SAND CAST BRACELET BY GARY CUSTER NATIVE AMERICAN
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
$400.00
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