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DRAGONFLY TURQUOISE NECKLACE BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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GARY CUSTER NAVAJO STERLING SILVER NAJA PENDANT
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAJA PENDANT BY GARY CUSTER NATIVE AMERICAN
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO SPINY OYSTER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING & CORAL PENDANT BY REBECCA BEGAY
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER & PEARL SQUASH BLOSSOM NECKLACE BY JOELIAS DRAPER
Navajo artist Joelias Draper created this gorgeous squash blossom necklace. Sterling silver with Pearls. The necklace is strung with sterling silver 6 mm beads. The necklace is finished off with a sterling silver hook and eye. A timeless beauty that you will enjoy for years to come. The necklace weighs...
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE NECKLACE BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE SQUASH BLOSSOM NECKLACE BY ADRIENNE GORDON
Navajo artist Adrienne Gordon created this gorgeous squash blossom necklace. Sterling silver with Sonoran Gold Turquoise stones. The necklace is strung with sterling silver 4 mm beads. The necklace is finished off with a sterling silver hook and eye. Comes with matching earrings. A timeless beauty that you will enjoy...
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE SQUASH BLOSSOM NECKLACE BY FREDDIE MALONEY
Navajo artist Freddie Maloney created this gorgeous sterling silver squash blossom necklace. The squash blossoms and the naja are set with Sonoran Gold Turquoise stones. The necklace is strung with sterling silver 8 mm beads. The necklace is finished off with a sterling silver hook and eye. Comes with matching...
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NATIVE AMERICAN NAVAJO STERLING SILVER & TURQUOISE SQUASH BLOSSOM NECKLACE BY PHIL GARCIA
Navajo artist Phil Garcia created this lovely petite squash blossom necklace. Sterling silver with Sonoran Gold Turquoise stones. The necklace is strung with sterling silver 5 mm beads. The necklace is finished off with a sterling silver hook and eye. Comes with matching earrings. A timeless beauty that you will...
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NATIVE AMERICAN NAVAJO STERLING SILVER ARROW PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER DOUBLE CROSS PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER FEATHER PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER HORSE PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER MILLENNIUM FALCON PENDANT BY LEE BEGAY
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER MOTHER & CHILD PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER PETROGLYPH PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NATIVE AMERICAN NAVAJO STERLING SILVER SQUASH BLOSSOM NECKLACE BY LESTER JAMES
This gorgeous sterling silver squash blossom necklace was created by Navajo artist Lester James. The necklace is strung with sterling silver 12 mm beads. The necklace is finished off with a sterling silver hook and eye, and the necklace has a satin finish. A timeless beauty that you will enjoy...
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NAVAJO SONORAN GOLD TURQUOISE ARROWHEAD PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & LAPIS FLOWER NECKLACE BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & PINK CONCH SQUASH BLOSSOM NECKLACE BY PHIL GARCIA
Navajo artist Phil Garcia created this lovely petite squash blossom necklace. Sterling silver with Pink Conch stones. The necklace is strung with sterling silver 5 mm beads. The necklace is finished off with a sterling silver hook and eye. Comes with matching earrings. A timeless beauty that you will enjoy...
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NAVAJO STERLING SILVER & SPINY OYSTER NAJA NECKLACE BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & SPINY OYSTER ZIA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER & TURQUOISE SQUASH BLOSSOM NECKLACE
Gorgeous sterling silver squash blossom necklace. The squash blossoms and the naja are set with Turquoise stones. The necklace is strung with sterling silver 13 mm beads. The necklace is finished off with a sterling silver hook and eye, and the necklace has a satin finish. Comes with matching earrings. ...
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NAVAJO STERLING SILVER & TURQUOISE SQUASH BLOSSOM NECKLACE BY VIOLET NEZ
Navajo artist Violet Nez created this gorgeous squash blossom necklace. Sterling silver with Turquoise. The necklace is strung with sterling silver 6 mm beads. The necklace is finished off with a sterling silver hook and eye. A timeless beauty that you will enjoy for years to come. Comes with matching...
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NAVAJO STERLING SILVER & TURQUOISE THUNDERBIRD PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER ARROW PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER NAJA PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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NAVAJO STERLING SILVER PETROGLYPH PENDANT BY GARY CUSTER
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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SPINY OYSTER NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER & SPINY OYSTER ZIA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER & TURQUOISE NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER & TURQUOISE THUNDERBIRD PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER ARROW PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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STERLING SILVER PETROGLYPH PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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TURQUOISE NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...
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TURQUOISE NAJA PENDANT BY GARY CUSTER NAVAJO
In the mid 1800s, Navajo silversmiths started to use sand casting as one of their silversmithing techniques. Today, silversmiths still use this technique by carving a design in tufa stone (a porous limestone) and then placing another stone against it. The two pieces are fastened together and molten silver is...